One of the Cmykkelgirls and her boyfriend, art dude and musician Tore Reisch, made an alphabet of pine a while back. Tore made a piece of art with it. Nice. I´ve been a Reisch fan since I first saw a painting by him, on a wall in Stallmesterveien in Trondheim back in ‘99. Cool to se local people play with type!
I stumbled over this sweet final project from newly graduated design student Patrycja Zywert. She says it best herself: This project is a typographic installation and a poster advertising the film about Norman Foster, titled‘How much does your building weigh, Mr. Foster?’. The idea is to express the aspects of Foster’s striking architecture by creating large geometric letters F, O, S, T, E and R. The installation also aims to become his architectural signature.
Build is a beautiful modular typeface Scottish designer and illustrator Steven Bonner made. It is for sale at YouWorkForThem. Perhaps it´s the way the shapes are mixed with this lovely colors, but I´m loving it. And I hope you do to.
“The results of an extensive exploration with shadows, the One Day Poem Pavilion demonstrates the poetic, transitory, site-sensitive and time-based nature of light and shadow.
Using a complex array of perforations, the pavilion’s surface allows light to pass through creating shifting patterns, which–during specific times of the year–transform into the legible text of a poem. The specific arrangements of the perforations reveal different shadow-poems according to the solar calendar: a theme of new-life during the summer solstice, a reflection on the passing of time at the period of the winter solstice. The time-based nature of the poem–and the visitor’s time-based encounters with it–allow viewers to have different experiences either seeing a stanza of the poem or getting the whole poem. All of these possible experiences are equally valuable and have meanings unique to the individual. This technique has the potential for producing particular effects and meanings within an architectural environment. Without the use of a source of power other than the sun, this project uses light and shadow to push the boundaries of communication and experiential delight.”
Jared Benson, founder of the typographic community Typophile (who just last week celebrated it´s 10 year anniversary) tweeted that Matthew Butterick, former Font Bureau type designer (Herald Gothic, Hermes FB, etc) launches Typography For Lawyers. Butterick now has his own law office, and as a former type designer he saw that “legal typography is often poor”. That is why he made Typography for lawyers. I love it! Hope to see more sites like that. Anybody out there who has spare time on their hands, feel free to do something with these ideas: “Typography for truck drivers” or “Typography for phd students” or perhaps “Typography for plumbers”.
Anyhow. The coolest thing with Typography for lawyers, is that it´s a bunch of good reading there for anyone that want their papers to look good, or just learn about typography. In other words, you don´t need to be a lawyer to learn from this site. So typography rookies and others, read through the site, and take notes. Bonus: If you are a twitter addict like me, follow Typography For Lawyers here, and Font Bureau here.
TTC (Trondheim Type Club) started out in 2008 by Aasmund Hegglid and Trond Aslak Øvrum. The idea was made in 2007 as something we missed in our town. A breeding place for type-fanatics.
We are now a group of people with relations to the design/advertising industry in Trondheim, Norway.
We all have passion and love for typography, and want to share our ideas, inspirations and knowledge with everyone. Kern or die!
